QUOTE(One @ Fri 15th August 2008, 4:44am)
Who the hell is Folantin? When I wanna know something like that, I search WR:
Moreschi and Folantin's WAR ON THE TROMBONE!!, ....and Makemi's neo-feminist stance!Moreschi : We're not Sockpuppets..., ....it just looks that way....hmm....The NEW improved Deletionist Cabal...Hmm. Top three google hits, and all are threads by TFA. I checked further down the results and have found several treads and posts by TFA about these two. I'm going to go out on a limb and suggest that Moreschi/Folantin (whether two people or just one) don't like TFA, and the feeling is apparently mutual. In retrospect, it wouldn't have taken much work to figure out who TFA was.
When Shankbone wants to bust TFA's balls, Moreschi and Folantin don't mind at all (understatement).
Does anyone else think
this might be a COI issue? It might be fine, but I would probably be more comfortable if admins didn't single-handedly block someone who is apparently their
biggest off-wiki critic (these threads are TFA's--it seems like
all of the Moreschi posts here are). Parties of an ArbCom decision should probably not enforce the decision themselves.
First, consider what the damn decision even says:
QUOTE(ArbCom)
Enforcement by block
1) Any bans imposed under this decision may be enforced by blocking the offender for a period of up to a week. All blocks to be logged at ...
Passed 6 to 0 at 06:34, 18 November 2006 (UTC)
Moreschi explains his reasoning for the indef block here. (EDIT: WR won't let me put in the full url with anchor. Apparently using the name triggers some replacement code for "BAN ME! BAN ME!" weird.)
It seems there are COI edits in Gretab's deleted contributions. Sounds like evasion, but for the benefit of non admins, here's the punchline: these edits happened in February 2007, adding a source to his own pre-existing BLP per a talk page request. But don't forget about the promotional edits to alleged MF recording artist Germaine Tailleferre,
Hugely promotional edit in April, OMG!,
And another from last week October. Also check out this article where an MF artist was edited from
"outstanding" to the much more promotional word "capable." The Wiki is now safe from COI. Indefinitely. Whew.
Ah well, I might have blocked him myself. Perhaps for his own good, as said above, and at least for a time. Shankbone probably will not stop harassing TFA until he leaves, and David will certainly win. Lar suggested a block of 1 day - 2 weeks, and TFA'a personal attacks and COI might deserve
something. You should use the talk page when you have a COI, even if the edits are trivial. But Moreshi isn't acting on the level here, and I don't like it. He should have at least mentioned his history with TFA. I think failing to mention an ugly past with someone you block is on par with editing while COI. Thoughts?
Well, since I'm blocked over there, I might as well explain myself here.
The decision in the Arbcom case read as follows :
QUOTE
1) Jean-Thierry BAN ME! BAN ME! and other users affiliated with Musik Fabrik are banned from editing any article dealing with artists or projects listed in their sales catalog. Further, they may not add any such artist or project to any article. There is no restriction on making suggestions or participating in discussions on talk pages.
Now, the way I read this is that the words used are "artists" and "projects listed in their sales catalog". The word "artist" is not the same (at least in the music world) as the word "composer". An "artist" is the person who performs the music (see for example the "search the repertoire page on BMI, where artists and composers are separate fields :
http://www.bmi.com/search/). However, "projects listed in their sales catalog" would be specific works composed by composers in the catalog. Works composed by composers in the catalog but published by others would be not be a conflict of interest, since information about them would not lead to sales.
So, for example,
this diff. dealt with a ballet that we don't publish. By saying that the Paris Opera Ballet refused to produce it, am I adding commercial value to the work in question? The
Leguerney article was created before we started publishing him.
In this diff, the work is unpublished (and will probably never be published, since there are editorial problems with it) and I am only correcting the instrumentation. How does this add commercial value?
In this diff. I'm pointing out that the only source for the article is the webpage in question: I ought to know: I wrote the whole thing. It's all unsourced (in spite of the bibliography) because it's principally original research. The worst is the works list, because it's all based on first-hand analysis of the manuscript objects and secondary sources which remain unpublished. This should probably be stubbed and rewritten, using Grove as a base (even if Grove is wrong on certain facts...)
Francis Poulenc is not in the MF catalog. Neither is Milhaud or any of the others. The edits on my own article were to avoid what eventually happened, which was a "revenge" deletion. Now that this is behind us....well, at least on the English WP, as DS has nominated in the same article for deletion in French WP...this all becomes rather moot, wouldn't you say?
That's your fault anyway: you shouldn't have written the article in the first place!, you say? Well, that's exactly right. Except that once you write the article, you can't take it back. And once you realize what you've done, it's too late. And if I may, might I ask
how many times does one have to pay for the same mistake? This COI business was a red herring to begin with. The conflict was due to the fact that I busted Moreschi and Folantin's little operatic game of voting on "who was important" and "who was not", and when their toys were taken away, they flew into a huge rage: follow the diffs from
here.. It's obviously going to lead to a "community ban" and there's no point fighting it. I'm grateful to those who are trying to find a solution to this, but I rather doubt that there will be anything that they can do.
In any case,
I still can't believe how long it took them to figure it out...