QUOTE(Neil @ Wed 8th October 2008, 9:05am)
QUOTE(GlassBeadGame @ Wed 8th October 2008, 3:05pm)
I dislike wandering into discussions in which I lack a grasp of the substance matter, especially in a Web 2.0 environment where it is likely that many other participants will be equally as unqualified to discuss the matter, and likely less insightful of their weakness. Still, I have to wonder, looking at the article it appears perfectly benign. It seems well sourced, and many of the source authors, as one would expect in any article on the cultural development in a specific ethnicity, are Jewish and are part of relevant culture. What is nefarious and evil purpose that the LaRouche people, from Mr. BeBack's perspective, would make of this article?
I don't know for certain, but
this document from LaRouche does mention the Yiddish Renaissance a lot (see pages 54-55).
The way I read this is "Jewish people in Austria under Emperor Joseph II enjoyed a cultural renaissance especially in the area of music, as exemplified by Mendelsshon. At about the same time one Jewish fellow, Jabotinski, was an agent of a nasty czarist security service that persecuted Jews. This nasty man went on to influence a strain of Zionism."
So what does Jabontinsky have to do with the Yiddish Renaissance other than the mere fact that he was Jewish and co-habitated the same time period? I suppose that Jabontinsky's involvement with Czarist intelligence agencies and his specific activities are controversial and maybe LaRoche folks have a their own special views that others might want to be wary about. But what does any of this, on either side, have to do with the Yiddish Renaissance?